April 17, 2006

Beowulf & Grendel

I finally managed to see the recent Beowulf & Grendel movie. My first reaction was that it wasn’t as bad as I was expecting. Be warned: there may be spoilers here…

First of all, it looked beautiful. Filming in Iceland was a brilliant idea—it substituted well for a pristine medieval Denmark. And the sets and costumes (though one can certainly pick out anachronisms) were effective—not bad compared to most Hollywood-medieval. Certainly they shouldn’t have had stirrups, but they were riding little Icelandic ponies instead of huge stallions. And I enjoyed touches like the Thor’s hammers the Danes were wearing and the Anglo-Saxon glassware (known as claw beakers), though I may be one of the few who notice such things.

The performances were generally good, and they really brought out the sympathy for Grendel that I always thought was there—indeed I always bring up the point when teaching the poem.

As for the plot and the script, naturally some changes had to be made in order for the story to work on the screen. It didn’t really bother me that Grendel’s attacks were drawn out, rather than having Beowulf defeat Grendel on the first night he tries. That’s just the way movies often work in order to build the tension.

As for some of the other changes, although they weren’t necessarily problematic, I have to ask why. I didn’t quite see why it was necessary to give Grendel the motivation of revenge for the killing of his father, rather than the simpler sour grapes for being excluded and the fact that trolls or draugar or whatever he is just act that way. It had the effect of turning the plot into that of an Icelandic saga with a blood feud. I suppose to some extent that’s already implied in the plot with Grendel’s mother seeking revenge. But does Grendel really need to have a father? Still at least this detail is not inconsistent with Germanic legend.

The element that bothered me most was the addition of the character Selma. Besides the fact that I thought she was unnecessary, she kind of stood out like a sore thumb, and was a bit irritating with her moral self-righteousness. She provided insight into Grendel’s character for Beowulf, but he really isn’t supposed to have that insight—Grendel is supposed to be too far removed from the world of man to be understood.

Well, I could go on, but it would soon descend into a lengthy discourse on my reading of Beowulf, so I leave it at that. Any Anglo-Saxonist ought to see it if given the chance, whatever one thinks about it. It might even be interesting to see what students thought about it, comparing it with the original text.

And oh yes—Andy Orchard was given special thanks in the credits…

Posted by Mark at April 17, 2006 05:34 PM | TrackBack
Comments

We’ll I’ll be — it wasn’t bad? But it sounds like what I’ve been worried about — the invention of a “back story” (as they say in Hollywood) and a random female lead (love interest?) — is exactly what was wrong with it.

Where did you see it? Is it open yet?

Posted by: Dr. Virago at April 17, 2006 10:14 PM